Mike wrote:
>the classical singer keeps himself
> from accessing higher range that would definitely bring about a change in
> timbre.
And,BTW, what's the problem about having a different timbre , if it's still
your voice? As soon as it's not harmful!
Also, if people in opera can sing so differently from the way a normal human
being would speak, why can't they have a different timbre? Because in speech
our voices wouldn't change in timbre? But we wouldn't cry, be happy, be sad,
and surely never die like they do in opera, anyway!
Bye,
Caio Rossi
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