I know you've already received lots of replies, Lea Ann, but I'd just like to add my comments even if after the fact. I think you are on the right track by searching out a new teacher as this relationship doesn't seem to be very enjoyable or fruitful for either of you. I also agree that matching fach with your teacher is not necessary. One advantage may be a deep knowledge of your shared repertoire. This was the case with my former teacher, BUT the teacher before that one (also my fach) didn't possess nearly the rep. knowledge or the creativity in assigning to her students (I accompanied her studio briefly while still in college so got a wide view of her teaching). So, it was a real advantage one time and not so much another time.
You also described your teacher in this way: ...is it strange that she has > no idea who Renee Fleming is or who Cecilia Bartoli > is?
To *me*, this is unfortunate and undesirable. I worked in a record store for a while -- I was the lone female among the classical staff and the youngest by 15 years! -- and came to learn that musicians often fail to listen to music for the joy of it. Very often, we're only found searching the bins in search of a specific piece or song that we're working on at the moment. It sounds as if this teacher doesn't even go this far! Listening to other players and singers is very instructive, not to mention a joy. For you, who have ambitions for your singing, a teacher who is more in touch with *the world* is more suitable.
Keep your head up. You're on the right track. And stop saying that 31 is old!! I'm right behind you at 30 and I'm not ready to be old yet! (mostly due to immaturity) :)
-Jen S. (There are so many Jennifers everywhere! Even on this list. :) )
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