Dear Wim and Vocalister:
You wrote: > I don't think Don (Miller) studied any female voices using classical male > resonance strategies (with a low larynx). That would interest me too, > since I'm convinced that it must be possible for a robust female > voice to sing in tenor head voice (using 'heavy' vocal fold vibration, > low larynx and second formant tuning), sort of the opposite of > a countertenor ;)
Based on this statement, what would you consider to be the most obvious result of second formant tuning? Does second formant tuning create a tone that is brighter or darker than first formant tuning?
Thanks for your input.
Regards -- Lloyd W. Hanson, DMA Professor of Voice, Vocal Pedagogy School of Performing Arts Northern Arizona University Flagstaff, AZ 86011
|
|
| |