Hi, Tako
You said:
> If your "falsetto" is something upon which you may crescendo, then yes,
> I'd call that a form of head voice. The mechanics of true falsetto
> precludes the kind of control over dynamics which exists in other
> registers.
but I'd like to know if my tentative unifying theory below makes any sense:
> > Given that, I was thinking the other day: light tenors ( supposedly,
with
> > cords like mine ) might be entitled to reach that 'quasi-falsetto'
register
> > that women have, the same kind of 'falsetto' voice that Mike says women
use
> > as supposedly their head voices and the lighter form of head voice you
and
> > Lloyd agreed to exist.
Does it?
Thanks,
Caio Rossi
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