On Thu, 30 Nov 2000, Marthea Blewitt wrote:
> Mike - I still don't get your statement that "operatic" women sing in
> falsetto? I do understand your comparison of Barbara, etc., and how they
> produce their sound. Please explain (I know, I'm slow and I didn't get it
> the first time......)
One thing I'm still curious about, Mike - don't a lot of dramatic sops/mezzos
and most true contraltos carry their chest voices fairly high (ie circa g4) and
gradually switch to head like many pop greats?
Tako
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