Tako wrote:
> Considering how many more "pro opera" slots there are out there than
> "10-year pop career" slots, it is actually more probable that one "make
> it" (living wage) in opera than in pop.
You don't really think so, do you? Remember they make money from licensed
merchandise, posters, etc, too. Maybe a good way to verify that is checking
those end-of-the-year lists of the richest artists in the world. I bet only
Pavarotti will be representing the classical world, and most likely for his
"... and Friends" than for his
arias.
Bye,
Caio rossi
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