Lisa Marie: I have been encouraged by my vocal coach in some pieces to switch to chest voice at E above middle C. This has mostly been for effect but it helps with the projection of sound as well. Pat
> > Thank you for pointing this out. I was (unfortunately) always > taught to use NO chest voice anywhere about middle C. I was > therefore accused of having no low notes. Singing in pure head > voice all the way down there will produce a voice without low notes. > I am finally (after 15 years of study) learning to mix my chest > voice into my middle, and I have discovered what a strong chest > voice and what a dark voice I actually have. > > >
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