> Well, what goes on in the vocal tract does affect this, but it affects it > helping the folds medially compress, according to Titze.
Sure, there's a feedback from tuning the resonant cavity to the fundamental frequency of the pitch. (That's what standing waves are all about. Similar to the mechanism in the clarinet.) But what about the overtones/singers formant frequencies etc... Are they all really present in the vibrational mode of the chords ?
Kevin.
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