> I also find that getting as completely into character as possible before
> ever walking out onstage is also a great help. I know this can be
> difficult to accomplish before an audition - particularly some of the
> really STUPID auditions I've done where the auditors want to chat with you
> *before* you have a chance to sing
I prefer to do this too. However, I'm in a competition next week where we
have to be in the room when our class starts, but my method of dealing with
the shakes and getting into character is to pace back and forth and go over
the aria in my mind numerous times before going on, which won't be possible
sitting in a room listening to the three people in front of me. Does anybody
have any ideas on how to deal with this situation? Sitting without
vocalizing or being able to concentrate on what I'm about to do (impossible
while listening to other singers for me) usually results in a massive case
of the shakes and difficulty breathing and getting into character. I'd much
rather stay outside the room and wait to be called in. After I'm done I'd be
happy to listen to everyone else :o).
Jennifer
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