Just a thought, but if you are producing a nice sound, maybe it projects more than you think! You can get an idea of relative dynamics by sticking a tape recorder on in the back of your practice room. A focused sound with a nice singer's formant will often be heard over a big orchestra, not to criticise belting or anything :o) john
At 06:22 PM 6/20/00 -0400, you wrote: > >I am resending this as I never saw it on the discussion. I know a lot has >been said about head/chest mix, but don't recall seeing anything that >particularly pertains to this. > >When I am singing sort of to myself, I sing in a really nice head/chest mix. >I can go top to bottom without any break. In fact, I even seem to have >better control over my breathing. But the sound isn't very loud, and I'm not >sure if I could get much louder. > >On the other hand, when I sing out, not really belting but more a good head >voice, I have trouble getting that good mix and the passagio seems somewhat >weak, and the breath doesn't last as long. > >Comments? >Nancy >tmitche2@t... > > > > > >------------------------------------------------------------------------ >Never lose a file again. Protect yourself from accidental deletes, >overwrites, and viruses with @Backup. >Try @Backup it's easy, it's safe, and it's FREE! >Click here to receive 300 MyPoints just for trying @Backup. >http://click.egroups.com/1/5669/5/_/843894/_/961539693/ >------------------------------------------------------------------------ > >To unsubscribe from this group, send an email to: >vocalist-temporary-unsubscribe@o... > > > > John Blyth Baritono robusto e lirico Brandon, Manitoba, Canada
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