Dear Jana and list,
--- jjh <jjh@n...> wrote: (apart from many wise words on training and Lieder) > snip (...) the fortepiano was not constructed with a cast iron > frame and could not attain > the extreme ranges of volume we are used to in this > day and age. So singing > "Gretchen am Spinnrade" or "Erlkönig" with a > fortepiano would mean that the > singer would not have to compete with a pounding > modern grand piano.
This is a point I really don't understand: I know there are pianists that for whatever reason play too loud, but do so many singers have to work with that kind of pianists? I don't want to show of because it is not my merit, but the pianist I work with never does that, it is as if we are in a recording studio and somebody adjust the volume so that we are always in a perfect dynamic relation. The pianists I heard accompanying famous singers like Barbara Bonney do the same.
Bonney - and Hampson on that accasion - were accompanied by Wolfram Rieger. This guy not only played great, but he was also smiling during the whole concert! He must have been very happy just to make music with them, a feeling I know very well from singing accompanied by my pianist, or in a duet.
Is it so difficult to play soft, are most pianists such egotists, do they lack the right training, or should they just try to smile and enjoy?
Best greetings, Dre
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