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On Wed, 14 Jun 2000 09:13:08
Lloyd W. Hanson wrote:
>While this can be impressive, it has nothing to do with
>the performance style with which Garcia electrified Parisian audiences.
>Critics repeatedly mentioned Garcia's fire, his ease of movement on the
>stage, his 'gift of invention', his rhythmic sense, his speech-like delivery
>of recitative, the applause of the audience after his cadenzas. Being a
>true singing actor, Garcia knew how to hold the audience in the palm of his
>hand."
For those of you familiar with Wes Balk, doesn't this sound familiar (and of
course the improvisation - which changed the way I look at singing)! Thank you
Lloyd Hanson for the interesting information!!!!!
Lisa-Marie
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