> I don't think he had bassi profuni in mind, and would be glad if
> someone could offer evidence that he had ever heard such an animal.
For the most part, you're probably right. Basso-cantante (basically a
bass-baritone with good coloratura) was what he most likely had in mind.
I have to say, though, the John's Passion seems to be written for a true
bass for the role of Jesus (requires a rock solid low F). Also, from a
choral standpoint, he seems to expect some pretty serious low notes
(B1 -> D2)...
-Tako
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