Dear Lloyd et al, You wrote about onsets as they are used to help find head voice as follows: "Onsets. Once skill is established with onsets in the middle range of the male voice, it is possible for many men to do single onset exercises in the range just above the beginning point of their passaggio (first passaggio point) or just above the ending point of their passaggio (second passaggio point). Tenor are often able to establish onset higher than this. These onsets are not in falsetto voice but, instead, resemble a sob or a primitive whine. ***************************************************************** By "beginning point of their passaggio", I assume that you mean the lowest note of their passagio and by "ending point of their passaggio", I assume that you mean the highest note of their passaggio. Do you apply any descending sirens after the onsets? How long do you have them sustain the vowel?
I often experiment with my own voice "feeling out" what happens in the passaggio. Sometimes I'll alternate between what I think of as an "engaged" tone (I can feel that the lower register is engaged but not all of it) and falsetto, using onsets. It takes tremendous energy and I don't generally persist in doing it for long. Your description of "falsetto" versus "head voice" pretty much describes the differences I feel between the two modes.
I often use descending sirens after falsetto onsets to help male singers learn to manage the passaggio. A diminuendo and feeling of release while sighing seems to ease nearly any voice through the upper passaggio area. Of course if there's any tension or "squeezing" things won't work as well. Sometimes I'll have them say "yoohoo!" as if they're greeting a neighbor to get them to experience this feeling of release.
Cornelius Reid wrote a lot about "intensity patterns" and that one had to sing quietly through the passaggio until they got a feel for how to do it. I find that keeping the intensity down (singing quietly) in the area of the passagio, developing a feeling of "letting go" and a sort of sigh-like feeling, help men to manage the passaggio. First top down, then both up and down. Regards, Les
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