Your experiences are clear to me!
With English at me really it is not brilliant, but nevertheless I shall try
to you what to explain.
( I Can send the message and in Russian)
Try to sing in the first octave (or in the register where to you it is the
most convenient - примарной for a zone) one note on different vowels. The
soft sky is lowered(omitted) - it as though closes a nose from within.
On the most convenient vowel you will feel a resonance ("bell" in the field
of nose bridge.
This sensation also needs to be kept on all range. The root of language and
the soft sky at you "are as though connected".
Pay attention as the megaphone is arranged. It(he) has the form of a cone.
And so your soft sky a root of language is a top of a cone, his(its) narrow
part, and open a jaw a megaphone. It is not necessary to open a mouth so
In it(him) "garage" was formed is "will drag off" a sound in inside. Your
device should work as a megaphone. All sound goes outside. And one more
moment - specially it is not necessary "to cover" a sound - to do(make) by
his(its) more "dark".
Certainly, in absentia consultation it is very difficult, necessary to
listen and look that you do(make), though
It is rather original. You inform what at you type of a voice, what
repertoir sing, how many to you of years-
Probably I can lead(carry out) more full analysis.
I wish good luck,
Alexey.
----- Original Message -----
From: <decentefsci@h...>
To: <vocalist-temporary@yahoogroups.com>
Sent: Sunday, February 09, 2003 6:00 PM
Subject: Re: [vocalist] If not head voice,then what?
> --- In vocalist-temporary@yahoogroups.com, "??????? ????????"
> <alexey-mihailov@m...> wrote:
> > Your question is clear to me though rather difficultly to advise
> > On distance, but I shall try.
> > The matter is that you should as it is possible "to approach"
> small language
> > to a nose closer.
> > You should do(make) pressure upon the firm sky (area of a nose) as
> though
> > from above, in yourselves.
> > But " to a back wall of a throat you should not "go" to inside
> mouth.
> > It - area of your acoustics. You do not climb inside of the piano
> or a
> > guitar when
> > Play on these tools. For that what to avoid " a leaving(care) of a
> sound in
> > inside " YOU should
> > To close lifted (and to not drop) a root of language and the
> > lowered(omitted) soft sky.
> > You "are as though teased". After YOU have taken the first note the
> > subsequent notes as though "drip"
> > From small language in a breast. A direction of breath - downwards
> and
> > forward (as though in a floor).
> > Probably at you the sound "is filled up" because you change (turn)
> a
> > direction of breath.
> > Breath goes to a breast, you should feel, that your breast (area
> of a solar
> > plexus)
> > Has as though become isolated. As soon as you disconnect a breast
> a sound to
> > become unguided and "jumps up".
> > It is still very important to not overflow itself with air.
> > Try to make such technology:
> > 1. Through a mouth a mild exhalation.
> > 2. Begin as though " to smell a nose a flower ". A breath through
> a nose and
> > as though "connection" of a root of language with the sky.
> > 3 Extraction of a sound as though on a breath. Sensation of a sound
> > resonance in the field of a nose (the Vocal mask)
> > 4. Keeping "mask" softly connect to a breast. A direction of
> breath as
> > though before your nose
> > The wheel in your party(side) rotates. Breath is included as
> though into a
> > nose and leaves a breast already a sound.
> > As though from a breast you extend a rope (not so thick). If to
> interrupt
> > this movement of a wheel,
> > To turn it(him) back - a sound will leave to a back wall of a
> throat,
> > acoustics of the device will be blocked, the root of language will
> fall
> > , Small language as though will block an input(entrance) in
> resonant bosoms
> > and a sound will be not before you and where that is very deep,
> complexion
> > will change only.
> >
> >
> > I wish successes,
> >
> > Alexey.
>
> Hi again Alexey.I read your post very carefully(although i had in
> some points a difficultu with your english).
>
> It seems that it is really difficult for me to do what you told
> me.However,i'll keep trying.
>
> What i'd like to ask is that:This voice i told you i use,what is it
> actually?Is it head voice with bad technique,or something else?
>
> I've learnt to sing with my throat.
> What's the easiest way to bring the sound to the mask?
> It seems to me that it is the back part of my throat that helps me
> keep my voice connected,after my last chest note.
>
> What do you think?
>
> Thanks again.
> >
>
>
>
>
>
>
>
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