-----Original Message----- From: omtara <omtara@h...> All muscles have a memory of their own. That is how we learn to drive a car or ride a bike - the body remembers what it has to do and it does them without us having to consciously tell it to do so. Muscle memory is why each of us holds the habitual posture we do. (I'm sure there is some more scientific term than "muscle memory" that describes this phenomenon, but I don't know what it is). I think a large part of singing IS training the muscles to do what they need to do. It's not the entirety of it, of course, but a lot of it is training the body to take the proper forms and actions in order to produce the desired sound.
I find it hard to believe that there is no one on this list who has struggled with singing a piece that they learned before they had a working technique, and has had to rework that piece into their voice.
Karena ~~~~~~~~~~~~~~~~~~~~~~~~~ I agree with you, Karena, regarding muscle memory. I'm a mezzo who, with a better understanding of head voice/registration earlier in life, would probably have been a full lyric soprano. During the time when I was trying to isolate head voice, figure out how to play with the light mechanism/head I found there were some pieces from my repertoire I simply could not sing. I found the old balance of registration interfering with my use of the newer approach to the top. This went on for about a year with certain pieces.
I have spoken of muscle memory with 2 physical/physio therapists and 2 Alexander teachers. They embrace the idea of muscle memory. They regularly work with clients who have healed physically post trauma, but still move as though injured. Their experience is that there is often a huge emotional component to the muscle action and an emotional release when the muscles relearn appropriate function. I experienced some of this, both when I learned to wean out heavy mechanism and permit the appropriate muscle balance required to sing high C's, and when I relearned walking after hip replacement surgery and several years using a cane.
Cindy Donnell lyric mezzo and ex-gimp
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