Dear Michelle, I appreciate your advice however singing the aria of a page in love with women is only going to get me in trouble at my school, plus it would be embarassing to play a pre-pubescent boy. In the case of : >>MOZART: Voi Che Sapete Non so Piu (A little more challenging)
Um, I did talk with my instructor and she recommended that I not sing Porgi. I was going to work on Ruhe Sanft from Zaide this last summer in German, but after reading and singing through the music I realize I must put it away for a while, it's too advanced for me right now. I don't mind putting an aria aside for a year.
>>SCARLATTI: Le Violette
This is a very good recommendation, I think I will learn this aria.
>>>>>>Mozart writes better for the soprano voice than for any other voice type. He selects the best possible vowels for each pitch or line emphasis which helps the singer produce the "freer usage of (the) voice" that you mention. One has only to transpose a Mozart soprano aria up or down to discover that his choice of vowels are best for the original pitches selected.<<<< Lloyd
<is one I fully concur with also. Mozart wrote with an inate sense of how to write for the human voice, moreso I think, than any other composer I have ever come across.>Michelle
I totally agree too. This is why I have been searching for a Mozart aria. LOL.
Most Sincerely, Julie
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