This article is interesting.
I have a student who I just cannot get to stop pushing
the chest register into the middle. As a result she
finds it a problem to get a D in the 5th octave. Of
course when I do technique with here she sings as high
as a top g.
At present she is singing a song by Barbara Str. and
she is having great difficulty getting the D.
More and more students of this type are having lessons
but they would only do the technique when they attend
their lesson.
Norma
--- Sharon Szymanski <szy@n...> wrote:
>
> Sally Collyer wrote:
>
> In brief, I believe both vocalis and cricothyroid
> should be active at
> all
> times in singing and that the balance between their
> contributions is
> significant to the timbre.
>
> Lloyd,
> Did I miss a response to this assertion (in
> response to your
> original post on registration changes). I must say
> that I think in
> terms (not very scientific probably!) of blending
> the two registers to
> such an extent that I feel as though I always have a
> bit of both in
> virtually every pitch of my range, with varying
> percentages of each
> depending on whether I'm going higher or lower.
> My registers are very well integrated and function
> well in a variety of
> singing styles, but I would like to be secure in the
> scientific
> knowledge of what is happening as I teach this to
> others.
>
> Appreciate any further illumination!
> Sharon Szymanski
>
>
> removed]
>
>
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