Hi, List,
Assembling performance dress for women is like working a jigsaw puzzle. If you don't have all the right pieces, it can be impossible to make it work. I have codified several criteria for recital/concert wear for various occasions: 1. Evening standard repertoire (uptown NYC, outside NYC) Dressy, long, sequins or other diva accoutrements. 2. Evening new music (uptown NYC) Dressy, possibly long, NO sequins or reinstones unless subtle or funky in design. Simple black is good. Interesting jewelry is good, too. 3. Evening new music (downtown NYC) Dressy, but go for unusual. Think artsy - ethnic jackets, colors, or simple black. Interesting/artsy jewelry. 4. Afternoon standard rep. (NYC or outside) Depending on venue, long or street length, though I prefer long. Simpler than evening. 5. Afternoon new music (downtown NYC) Same as above, but less dressy. Cool accessories or ethnic/colorful dress. 6. Afternoon new music (uptown NYC or outside NYC) Same as #4, but somewhat more dressy than #5. 7. Church/temple choral Simple, or whatever dress code for group 8. Church/temple solo Simple, but use some subtle divasign. More modest than non-church performances.
The difference between new music dress and standard rep dress is that while singing new music, especially downtown, you'd be laughed off the stage if you are wearing typical diva stuff- sequins, reinstones, etc. Funky but still dressy is key here. Of course, one must have each category for each season, and in enough sizes to fit at any given time. (Sometimes I think I work a day job just to pay for my performing wardrobe.) I also have a variety of jackets and scarves to put over any season's sleeveless dress for church/temple appearances or to make a spring/fall dress more appropriate for winter. I haven't even mentioned SHOES . . .
Susan May Schneider smschneider@e...
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