Well John,
I'd say just about every baritone should (I use the word advisedly!) have a top G. Certainly you'd be lost in opera or musical theatre without one! I'm lucky that I can sing up to a high E flat, but that's more for safety than anything else, and I go down to the D flat 3 octaves below. Neither of which I would call a money note though!!
I think to be safely called a baritenor, you've at least got to have a high B or a C.
I'd be interested to know what the chaps on the list have as a range?
Best wishes,
Ian Voice wrecker to the stars!!!
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