In a message dated 10/08/2001 9:00:34 AM Central Daylight Time, info@g... writes: info@g... writes:
<< - keep your mouth fairly closed (oval posture) while singing any notes on the staff and particularly in the lower break (this prevents the tone from being spread, while it should precisely be narrow and focused)
- try not to lower your chin in your chest while trying to sing these lower notes on the break (this produces an artificial darker color in your voice, while it simultaneously cuts the voice by 30% for the audience) >> Excellent suggestions -- I echo the keeping the mouth in a small position for that range of the voice. Chin on the chest is a bad habit many classical singers fall into - kind of the opposite of what pop singers fall into, since so often they raise their heads to sing into a mike (not at the advice of any legitimate pop voice teachers, but because it looks cool on MTV).
And exercise I made up a few years ago for myself to go thru that lower break, and it's silly, but I think the combination of nasal consonants and a small mouth position is why it works:
On 5-4-3-2-1: megalomania, megalomania, megalomania, megalomania, megalomania.
I must have been working with someone difficult at the time - don't know WHY I was inspired to do that particular word!!
Christine Thomas Wauwatosa, WI <A HREF="http://hometown.aol.com/mezzoid/myhomepage/profile.html"> http://hometown.aol.com/mezzoid/myhomepage/profile.html</A>
"Pace, mio Dio, pace, mio Dio." -- La forza del destino, Giuseppe Verdi
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