Vocalist.org archive


From:  Patricia M Smith <dgcsorcmgr@j...>
Patricia M Smith <dgcsorcmgr@j...>
Date:  Mon May 14, 2001  4:59 am
Subject:  Re: [vocalist] Faure--Les Roses d'Ispahan


David might want to listen to the "Manjun Symphony" by Alan Hovannes just
to get another musical take on this same story.

Pat

On Thu, 10 May 2001 14:06:02 -0400 (EDT) Karen Mercedes
<dalila@R...> writes:
<dalila@R...> writes:
> On Thu, 10 May 2001, David Grogan wrote:
>
> > A question to anyone who might know this...
> >
> > In the song, "Les Roses d'Ispahan" (Faure, Op. 39, No. 4), a
> reference is
> > made to "Leilah." Who is this character, and what gender is
> (s)he? Thanks
> > for any light you can shed on this for me!
>
> The Leilah referred to is NOT Eric Clapton's.
>
> One of the lovely romantic love stories of Islamic tradition is that
> of
> Leila and Majnun. It is the Islamic corollary of the Krishna/Radha
> tale
> (and more indirectly the Christ-the-Bridegroom/Church relationship
> when
> expressed in more romantic terms by certain Christian mystics). The
> story
> also bears some striking similarities to the Dante-Beatrice story in
> its
> material aspects, though not in the lesson it teaches.
>
> According to Meher Baba (from whom I first learned of this love
> story):
>
> "Majnun and Layla (also Majnu; Laila, Leila): The Islamic tale of
> Majnuns
> one-pointed love for Layla has its origins in Arabia and is thought
> to be
> based on a true story....The story of Majnun and Leila is a famous
> Persian
> tale of the height of human love. Majnun (meaning "possessed by a
> jinn" or
> "love stricken", actual name Qais) and Leila (meaning "sweetheart",
> actual
> name Laila bint Sad) loved each other profoundly. They were from
> different tribes and were never united in love, and because of that
> pain
> of separation Majnun nearly went mad with grief and his love saw
> Leila in
> everything. His love intensified to such heights that he came into
> contact
> with a Qutub [a Sufi perfect master] who bestowed God-realization on
> him."
>
> The tale is, in its way, a parable of the intense, all-consuming,
> obsessive (in a good sense) love of the mystic for God - Majnun
> being the
> metaphor for the mystic, and his profound desire to unite with Leila
> the
> metaphor for the mystic's attempt to unite with God.
>
> Karen Mercedes
> =====

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