How important is it to stick to one general fach (such
as mezzo vs. soprano) when choosing grad school
audition pieces? I work on soprano and mezzo
repertoire, depending on the pieces of course, and I'm
hoping it doesn't really matter, but I'd like your
opinion. Is this an issue to the schools?
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April Salerno
B.M. in Vocal Performance
Baldwin-Wallace College
Class of 2002
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