| | From: Ronald Rutgersson <baktise@y...>
Ronald Rutgersson <baktise@y...>
Date: Tue Apr 24, 2001 9:28 am
Subject: Re: David Jones...
|
To all of you who like to find out about Maestro Jones
fees, whether he is a good teacher etc. I recommend
you to contact him in person. That means you will have
first hand knowledge.
Ron Rutger
--- vocalist-temporary@yahoogroups.com skrev: >
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> There are 25 messages in this issue.
>
> Topics in this digest:
>
> 1. David Jones fees?
> From: Pablo <promero@w...>
> From: Pablo <promero@w...>
> 2. Re: Recording Studios
> From: Greypins@a...
> 3. Re: MED: weird pain in ear
> From: John Alexander Blyth
> <BLYTHE@B...>
> <BLYTHE@B...>
> 4. Re: Who are hautes contre???
> From: "Tako Oda" <toda@m...>
> From: "Tako Oda" <toda@m...>
> 5. Re: Who are hautes contre/Hard vocal tone
> From: "Tako Oda" <toda@m...>
> From: "Tako Oda" <toda@m...>
> 6. Re: Who are hautes contre???
> From: "Tako Oda" <toda@m...>
> From: "Tako Oda" <toda@m...>
> 7. David L. Jones Off List
> From: "stumke.jan"
> <stumke.jan@w...>
> <stumke.jan@w...>
> 8. Who are hautes-contres?
> From: "Tako Oda" <toda@m...>
> From: "Tako Oda" <toda@m...>
> 9. Re: David L. Jones
> From: Greypins@a...
> 10. Re: What to eat
> From: "Elizabeth Finkler"
> <mightymezzo@h...>
> <mightymezzo@h...>
> 11. Re: David L. Jones
> From: "S Owens"
> <shirleyowens@h...>
> <shirleyowens@h...>
> 12. Re: WAY OFF and ranting: Re: MED: weird
> pain in ear
> From: "Elizabeth Finkler"
> <mightymezzo@h...>
> <mightymezzo@h...>
> 13. Re: MED: weird pain in ear
> From: "John Messmer, M.D."
> <jjm23@p...>
> <jjm23@p...>
> 14. Re: Oren Brown Masterclass yesterday
> From: Karen <kjensen@c...>
> From: Karen <kjensen@c...>
> 15. Re: The Medium
> From: Karen Mercedes <dalila@R...>
> From: Karen Mercedes <dalila@R...>
> 16. Re: Brainstorming for recital
> From: Karen Mercedes <dalila@R...>
> From: Karen Mercedes <dalila@R...>
> 17. Re: Treemonisha-Koanga
> From: Karen Mercedes <dalila@R...>
> From: Karen Mercedes <dalila@R...>
> 18. Young large voices. Was Re: Recording
> Studios
> From: "Colin Reed"
> <colin-reed@l...>
> <colin-reed@l...>
> 19. Re: Who are hautes-contres?
> From: chosdad@c...
> 20. Re: MED: weird pain in ear
> From: gwyee@r...
> 21. Allergies
> From: BEChoate@a...
> 22. Let Us Garlands Bring--- Orchestrations
> Exist?????
> From: Trevor Allen
> <trevorjamesallen@y...>
> <trevorjamesallen@y...>
> 23. Concerto Competition-- Suggestions, por
> favore?
> From: Trevor Allen
> <trevorjamesallen@y...>
> <trevorjamesallen@y...>
> 24. Re: Brainstorming for recital
> From: Mike & Vicki Bryant
> <mbryant@f...>
> <mbryant@f...>
> 25. Re: Concerto Competition-- Suggestions, por
> favore?
> From: Greypins@a...
>
>
>
________________________________________________________________________
>
________________________________________________________________________
>
> Message: 1
> Date: Mon, 23 Apr 2001 09:20:04 -500
> From: Pablo <promero@w...>
> From: Pablo <promero@w...>
> Subject: David Jones fees?
>
> -For a very long timse (since I found his website) i
> had been thinking about trying to contact him to see
> if in the future.... but my question is: how much
> does he usually charge? FOr now I can't make money
> in the states and all the money I have is strictly
> for my college tuition (yep, i'm on finantial aid).
> What are Mr. Jones' fees like?
>
> Pablo Romero
> -----------------
> Bright is the ring of words
> when the right man rings them
> Fair the fall of songs
> when the singer sings them
> Still they are carolled and said
> on wings they are carried
> After the singer is dead
> And the maker buried.
>
>
>
________________________________________________________________________
>
________________________________________________________________________
>
> Message: 2
> Date: Mon, 23 Apr 2001 09:38:06 EDT
> From: Greypins@a...
> Subject: Re: Recording Studios
>
> In a message dated 4/23/2001 1:38:46 AM Eastern
> Daylight Time,
> ibracamonte@y... writes:
>
> << Yes, but singers KNOW about this difference.
> They
> sing differently in a studio than they do in a
> house.
> Listen to any current coloratura's recordings and
> then
> go see her in a big theater -- the production is
> amazingly different. Big-name singers with big
> recording contracts and savvy agents make a LOT of
> adjustments when they go into the studio. >>
>
> isabelle and lloyd,
>
> i believe it is in 'the art of singing', when
> speaking of the use of
> voce finta, richard miller hints he is speaking of
> fischer-dieskau when he
> says people who know his recordings are disappointed
> when he does not sing
> the same way in public performance going on to say
> that the requirements of
> singing in a concert hall make it neccesary for him
> to abandon voce finta.
>
> isabelle, i agree that the big name singers
> with big recording contracts
> are capable of varying their approach depending on
> the situation. even
> student singers who have yet to perfect their
> techniques know that the opera
> they have been over rehearsing for two months in a
> rehearsal room with piano
> will become a different cup of tea with the
> orchestra.
>
> lloyd, i can see how a singer whose reputation
> is built on recordings
> that are very different from what they would do in
> performance could bring
> pressures on them to attempt some of their 'in
> studio' effects in
> performance. but even with
> fischer-dieskau, the classical singer most guilty of
> 'mugging for the
> microphone' (pre thomas hampson), did not attempt
> these same things in
> performance, at least not in the one performance i
> heard him in ( 'die schone
> magelone' in boston symphony hall in 1975 ). it
> was actually rather
> straight forward and i was surprised to find his
> voice more baritonal than i
> was used to hearing him on recordings.
>
> if there has been a demise in opera singing in
> the last thirty or forty
> years, i would be more inclined to blame larger
> opera houses and the craze
> for big voices.
>
> mike
>
>
>
________________________________________________________________________
>
________________________________________________________________________
>
> Message: 3
> Date: Mon, 23 Apr 2001 09:28:34 -0500
> From: John Alexander Blyth <BLYTHE@B...>
> From: John Alexander Blyth <BLYTHE@B...>
> Subject: Re: MED: weird pain in ear
>
> I hope that whatever I say won't prevent you from
> having it thoroughly
> checked by a specialist... but...
> There are a number of muscles in and around the ear
> which may tense,
> sometimes voluntarily or not, in response to stress.
> If
=== message truncated ===
=====
"How can I get the Light and Sound of God in my own life? The simple answer
that has been given for ages is, through the Spiritual Exercises of ECK."
-Sri Harold Klemp, The Book of ECK Wisdom
http://www.eckankar.org
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