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Date sent: Thu, 20 Jan 2000 21:53:27 EST
Subject: Opera Recordings
To: vocalist
Send reply to: VOCALIST <vocalist>

Dear List:
I have a question about exactly how a singer should use recordings in
their training. I have a good collection of singers doing different arias and
one complete opera, but when I listen to the recordings, I don't listen to
technique or interpretation I end up saying I do or don't like the music
itself. For example, I've several Maria Callas CD's and for the life of me I
can't hear any flaws. But then on the other hand I listen to Marilyn Horne
(someone who everyone swears has a terrific technique) makes me cringe inside
when I hear her voice. How can an inexperienced ear become more experienced
at listening to recordings? Also, what sort of things should one be looking
for when it comes to technique( i.e. what constitutes a good technique)? Any
other thoughts on using recordings would be helpful.

Thanks
Alia