| Date sent: Thu, 20 Jan 2000 21:53:27 EST Subject: Opera Recordings To: vocalist Send reply to: VOCALIST <vocalist>
Dear List: I have a question about exactly how a singer should use recordings in their training. I have a good collection of singers doing different arias and one complete opera, but when I listen to the recordings, I don't listen to technique or interpretation I end up saying I do or don't like the music itself. For example, I've several Maria Callas CD's and for the life of me I can't hear any flaws. But then on the other hand I listen to Marilyn Horne (someone who everyone swears has a terrific technique) makes me cringe inside when I hear her voice. How can an inexperienced ear become more experienced at listening to recordings? Also, what sort of things should one be looking for when it comes to technique( i.e. what constitutes a good technique)? Any other thoughts on using recordings would be helpful.
Thanks Alia
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